{"id":848,"date":"2022-07-02T08:59:09","date_gmt":"2022-07-02T08:59:09","guid":{"rendered":"https:\/\/www.bestinheritage.com\/mnemosophy\/?page_id=848"},"modified":"2022-07-15T13:09:15","modified_gmt":"2022-07-15T13:09:15","slug":"cv","status":"publish","type":"page","link":"https:\/\/www.bestinheritage.com\/mnemosophy\/cv\/","title":{"rendered":"CV"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"848\" class=\"elementor elementor-848\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b99d61e elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"b99d61e\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-a49bf49\" data-id=\"a49bf49\" data-element_type=\"column\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-37b5b85 elementor-widget elementor-widget-heading\" data-id=\"37b5b85\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.6.5 - 27-04-2022 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h3 class=\"elementor-heading-title elementor-size-default\">Tomislav Sladojevi\u0107 \u0160ola \n<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7da5e87 elementor-widget elementor-widget-text-editor\" data-id=\"7da5e87\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.6.5 - 27-04-2022 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#818a91;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#818a91;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p class=\"font_8\">Tomislav Sladojevi\u0107 \u0160ola was born in Zagreb, Croatia in 1948. Until 2013 he was a Professor at the University of Zagreb in the Humanities and Social Sciences Faculty. He studied Art History and English in Zagreb, and also studied Museology in both Zagreb and Paris. \u0160ola has practical experience as a curator, director, editor, lecturer, consultant, and has also worked at several different international organisations in relation to his areas of expertise. After seven years of curatorship and another seven as a director of Museum Documentation Centre, \u0160ola started his academic career. His main interests is the practice of heritage and especially its theory, for which he coined the terms \u201cHeritology\u201cand, later on, \u201cMnemosophy\u201d.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f4d28e7 elementor-widget elementor-widget-text-editor\" data-id=\"f4d28e7\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"font_8\">He has attempted to highlight the integrity of heritage and the need for a strong, wide profession in the domain of public memory. The notion of Cybernetics as the core value of the theory as well as the practice of heritage is the proposal in many of his written texts. Though ample and diverse, much of his writings are on theory and marketing, on critique of museum practices and, increasingly examining the art of heritage communication and public memory. He has published several books on these issues. Throughout his career he has kept constant contact with the international community through his consultancies and participation in professional evaluation bodies.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fa43d69 elementor-widget elementor-widget-heading\" data-id=\"fa43d69\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">CAREER<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1c4c684 elementor-widget elementor-widget-text-editor\" data-id=\"1c4c684\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"font_8\">After completing his degree in the History of Art at the University of Zagreb, where he also studied journalism and museology at postgraduate level, he started his museum career as a curator at what is today the Contemporary Art Museum in Zagreb.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-54a5fab elementor-widget elementor-widget-text-editor\" data-id=\"54a5fab\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"font_8\">While studying under Georges Henri Rivi\u00e8re at the Sorbonne in the late \u201970, he worked in the International Council of Museums (ICOM) Documentation centre, and later became the director of the Museum Documentation Centre of Yugoslavia as well as editor-in-chief of the magazine &#8220;Informatica Museologica&#8221;. In 1985 he received a Ph.D. in museology at the University of Ljubljana, Slovenia. His dissertation was entitled: &#8220;Towards the Total Museum&#8221;.[6] By 2012 it had been translated into Serbian and the original version was published by the Faculty of Philosophy in the University of Belgrade.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-eb2c122 elementor-widget elementor-widget-text-editor\" data-id=\"eb2c122\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"font_8\">He has currently published nine books, written chapters for ten international academic books, as well as two Croatian books, and has had more than 200 articles published. His most influential books include: Essays on Museums and Their Theory &#8211; Towards The Cybernetic Museum (Helsinki, 1997); Marketing in Museums or About Virtue And How To Make It Known (Zagreb, 2001), Towards the Total Museum (Belgrade, 2011), Eternity Does Not Live Here Anymore (Zagreb, 2012) and Eternidade no ya vive aqui (Girona, Spain, 2012).<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7144f31 elementor-widget elementor-widget-text-editor\" data-id=\"7144f31\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"font_8\">\u0160ola has been honoured with several important positions within the international museum profession. These included the chairmanship of the National Committee of ICOM (where he organised three major ICOM conferences &#8211; ICOFOM, ICTOP and, with assistance, CIMAM), a seat on the Executive Council of ICOM, and board membership with ICOFOM\/ICOM (International Committee of Museology). Until 2001 he was member of the jury of the European Museum of the Year Award (EMF\/Council of Europe). Presently he is a member of the Advisory Editorial Board of &#8220;Museum International&#8221; (UNESCO), as well as a member of &#8220;Museum Practice&#8221; (Museums Association, UK) and the International Journal of Heritage Studies (UK).<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9408703 elementor-widget elementor-widget-text-editor\" data-id=\"9408703\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"font_8\">He served as a member of the Advisory Board of the Association of Peace Museums, and was a member of the Steering Committee of MA, UK, which was established for the future of collecting. Until 2012, \u0160ola served two terms as Chairman of the Association for Cultural Tourism at the Croatian Chamber of Commerce. Currently, he is a member of the scientific committee at Institut del Patrimoni Cultural (Girona, Spain).<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6175607 elementor-widget elementor-widget-text-editor\" data-id=\"6175607\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"font_8\">In 1987 Prof. Sola founded creative cooperative for cultural engineering &#8220;Synthesis&#8221;- with architect Zeljko Kovacic and designer Zeljko Borcic and later on in 1991 a company &#8220;Synthesis International d.o.o.&#8221; for consultancies in heritage. Prof. \u0160ola is also the founder of the NGO European Heritage Association, and in 2002 of &#8220;The Best in Heritage &#8211; Projects of Influence&#8221;, the world\u2019s only conference on awarded projects in museums, heritage and conservation, held annually in Dubrovnik. He also founded &#8220;The Best in Heritage Excellence Club&#8221; at \u201cExponatec\u201d, Koelnmesse, Cologne.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1c8a05a elementor-widget elementor-widget-text-editor\" data-id=\"1c8a05a\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"font_8\">\u0160ola was awarded the International Concourse for the permanent post of senior curator in the National Museum of Denmark in 1999. This post involved handling internal assessment as well as training and organizing international events in the museum. As a consultant, he has worked on 12 national and international projects in countries including Croatia, Slovenia, Germany, Serbia, England and Montenegro. He also elaborated approximately a dozen others. These included The Best in Heritage, Global Love Museum and The Bridges of Europe, which are still ongoing. He initiated and spent three years managing an International Summer School for Heritage Studies in Jyvaskyla, Finland. \u0160ola regularly taught in Barcelona at Escuela Europea del Patrimonio and also in Finland; where he was a guest lecturer at the University of Ljubljana. He was also a guest lecturer at the University of Dubrovnik in Croatia, the University of Sarajevo in Bosnia, and in the Faculty of Philosophy in the University of Belgrade. In total, as an invited lecturer and conference speaker, he has lectured internationally for approximately 300 hours.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0992649 elementor-widget elementor-widget-text-editor\" data-id=\"0992649\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"font_8\">In 1982 professor \u0160ola proposes the phrase &#8220;Heritology&#8221; to describe the convergence of museum and heritage related professions into one mega-profession in spe and its associated scientific discipline.[9] In 1989 he developed this concept further and, addressing issues of public memory institutions and processes, proposed the term &#8220;Mnemosophy&#8221; which he describes as &#8220;Cybernetic philosophy of heritage&#8221;, a sort of \u201egeneral theory of heritage&#8230;which includes at least five informational sciences: librarianship, archivistics, ,museography, encyclopedisctics and documentalistic.&#8221;.[10][11] Institutions and studies in Ljubljana, Jyvaskyla and Belgrade are using these neologisms as their title and teaching.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9572ffa elementor-widget elementor-widget-text-editor\" data-id=\"9572ffa\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"font_8\">\u200bAt the Faculty of Humanities and Social Sciences, University of Zagreb, Professor \u0160ola has been the head the postgraduate study of Museology, as well as the head of the Chair of Museology and Heritage Management, and Head of Department of Information Sciences. In the last years of his university career he was teaching several subjects (Heritage institutions, General Theory of Heritage, Heritage Management, Heritage Marketing, Heritage and Development, Heritage Tourism). During his university career he was a guest lecturer at Art University in Belgrade, at the Faculty of Philosophy in Belgrade, University of Warwick in England, European University in Budapest and some other universities (Barcelona, Jyvaskyla, Tartu, Varanasi, Umea, Brno, Granada&#8230;) sometimes with a single lecture at other times more or even regularly during some years. He \u200bwas \u200bChairman of the EU\/Europa Nostra Award in the category of Education, Training and Awareness-Raising\u200b and was until 2018 \u200b\u200ba Council member of Europa Nostra\u200b.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3902490 elementor-widget elementor-widget-text-editor\" data-id=\"3902490\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<strong>***<\/strong>\n<p class=\"font_8\"><strong>After 2015, and the book \u201c<a style=\"text-decoration: underline !important; color: #566DA5\" \n href=\"https:\/\/b19df933-ca21-405d-afe3-9dfd8ff0e9bd.filesusr.com\/ugd\/3fdf65_22eff33519364cabbd41c23a3026b53d.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Mnemosophy, an essay on the science of public memory<\/a>\u201d (published also in Russian) this CV page will not be supplemented with detailed information upon my career. Since then, I have kept lecturing internationally (Spain, Latvia, Russia, Portugal, Serbia, China, Norway, Slovenia) and attending to the international obligations of the Best in Heritage Conference (presentations\/lectures in Germany, China). I have also done occasional consultancies (Spain, Croatia, Serbia, Russia, Slovenia).<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8002acc elementor-widget elementor-widget-text-editor\" data-id=\"8002acc\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<strong> The world changed and not for the better, &#8211; making public memory institutions both more important in society and more endangered in their mission. It comes naturally that seniors contribute less. I take part in some on-line events or write occasional texts, as ever, also published on the Internet (<a style=\"text-decoration: underline !important; color: #566DA5\"  href=\"https:\/\/independent.academia.edu\/TomislavSola\" target=\"_blank\" rel=\"noreferrer noopener\">academia.edu\/TomislavSola<\/a>). I have continued with <a style=\"text-decoration: underline !important; color: #566DA5\"  href=\"https:\/\/globallovemuseum.net\/\" target=\"_blank\" rel=\"noreferrer noopener\">experimental projects<\/a>\u00a0while some remain as <a  style=\"text-decoration: underline !important; color: #566DA5\" href=\"https:\/\/www.mnemosophy.com\/links\" target=\"_blank\" rel=\"noopener\">wishes<\/a> or get even <a style=\"text-decoration: underline; color: #566DA5\" href=\"https:\/\/www.mnemosophy.com\/solutions\" target=\"_self\">deeper archived<\/a>.\u00a0<\/strong>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f53ffbd elementor-widget elementor-widget-text-editor\" data-id=\"f53ffbd\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>My next book(s) will be shorter, written again originally in Globish (as, alas, this entire site is). If published by EHA it will again be in a limited edition of numbered and signed copies; I never contact great publishers whose rightful requirements, I would have difficulties to meet. Being my starting academic discipline, the history of art (as the way of understanding creativity) is likely to become, in many ways, the concluding one as well.<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-877ce53 elementor-widget elementor-widget-text-editor\" data-id=\"877ce53\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"font_8\">Tomislav Sladojevi\u0107 \u0160ola was born in Zagreb, Croatia in 1948. Until 2013 he was a Professor at the University of Zagreb in the Humanities and Social Sciences Faculty. He studied Art History and English in Zagreb, and also studied Museology in both Zagreb and Paris. \u0160ola has practical experience as a curator, director, editor, lecturer, consultant, and has also worked at several different international organisations in relation to his areas of expertise. After seven years of curatorship and another seven as a director of Museum Documentation Centre, \u0160ola started his academic career. His main interests is the practice of heritage and especially its theory, for which he coined the terms \u201cHeritology\u201cand, later on, \u201cMnemosophy\u201d.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-22cffb6 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"22cffb6\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-412a15a\" data-id=\"412a15a\" data-element_type=\"column\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1923a8f elementor-widget elementor-widget-heading\" data-id=\"1923a8f\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">Bibliography<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2975d3c elementor-widget elementor-widget-text-editor\" data-id=\"2975d3c\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"font_8\">\u00a0(listed in the original language of each communication)<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c1285c7 elementor-widget elementor-widget-text-editor\" data-id=\"c1285c7\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"font_8\"><strong>Scientific monographs and books<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1e6e361 elementor-widget elementor-widget-text-editor\" data-id=\"1e6e361\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul><li>Antimuzej: bibliofilsko izdanje. Zagreb: Zbirka Bi\u0161kupi\u0107, 1985.<\/li><li>Lackovi\u0107. Beograd: Jugoslovenska knjiga, 1986. pp.119 (an art monograph)<\/li><li>Role of museums in developing countries. Varanasi: Bharat Kala Bhavan Hindu University, 1989. pp. 24<\/li><li>Essays On Museums And Their Theory: towards the cybernetic museum. Helsinki: Finnish Museums Association, 1997. pp. 293.<\/li><li>Marketing u muzejima ili o vrlini i kako je obznaniti. Zagreb: Hrvatsko muzejsko dru\u0161tvo, 2001. Str. 322.<\/li><li>Marketing u muzejima ili o vrlini i kako je obznaniti. Beograd: Clio, 2002. Str. 380.<\/li><li>Eseji o muzejima i njihovoj teoriji-prema kiberneti\u010dkom muzeju. Zagreb: Hrvatski nacionalni komitet ICOM, 2003. Str. 350.<\/li><li>De la vanitat a la saviesa \/ From Vanity to Wisdom \/\/ Institu Catala de Recercs en Patrimoni Cultural, Girona, 2009, pp. 1\u201371<\/li><li>Prema totalnom muzeju. Beograd, 2011, Centar za muzeologiju i heritologiju<\/li><li>Eternity does not live here any more &#8211; a glossary of museum sins, Zagreb, 2012<\/li><li>\u0412\u0435\u0447\u043d\u043e\u0441\u0442\u044c \u0437\u0434\u0435\u0441\u044c \u0431\u043e\u043b\u044c\u0448\u0435 \u043d\u0435 \u0436\u0438\u0432\u0435\u0442: \u0442\u043e\u043b\u043a\u043e\u0432\u044b\u0439 \u0441\u043b\u043e\u0432\u0430\u0440\u044c \u043c\u0443\u0437\u0435\u0439\u043d\u044b\u0445 \u0433\u0440\u0435\u0445\u043e\u0432. \u2014 \u0422\u0443\u043b\u0430: \u041c\u0443\u0437\u0435\u0439-\u0443\u0441\u0430\u0434\u044c\u0431\u0430 \u041b.\u041d.\u0422\u043e\u043b\u0441\u0442\u043e\u0433\u043e \u00ab\u042f\u0441\u043d\u0430\u044f \u041f\u043e\u043b\u044f\u043d\u0430\u00bb, 2013. \u2013 356 \u0441.<\/li><li>Javno pam\u0107enje, \u010duvanje razli\u010ditosti i mogu\u0107i projekti. Zavod za Informacijske znanosti. Filozofski fakultet, Zagreb, 2014<\/li><li>\u0160ola, Tomislav S. Mnemosopy. Essay on the science of public memory. EUB, Zagreb, 2015. 320 p.<\/li><li>\u0428\u043e\u043b\u0430 \u0422.\u0421. \u041c\u043d\u0435\u043c\u043e\u0441\u043e\u0444\u0438\u044f. \u042d\u0441\u0441\u0435 \u043e \u043d\u0430\u0443\u043a\u0435 \u043f\u0443\u0431\u043b\u0438\u0447\u043d\u043e\u0439 \u043f\u0430\u043c\u044f\u0442\u0438. \/\u041f\u0435\u0440. \u0441 \u0430\u043d\u0433\u043b. \u0421\u0438\u043d\u0438\u0446\u044b\u043d\u043e\u0439 \u041e.\u0412.\/. \u0420\u043e\u0441\u0442\u043e\u0432 \u0412\u0435\u043b\u0438\u043a\u0438\u0439 \u0418\u041a\u041e\u041c \u0420\u043e\u0441\u0441\u0438\u0438; \u0413\u041c\u0417 \u00ab\u0420\u043e\u0441\u0442\u043e\u0432\u0441\u043a\u0438\u0439 \u043a\u0440\u0435\u043c\u043b\u044c\u00bb 2017\u0433. 320 \u0441.<\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a573b27 elementor-widget elementor-widget-text-editor\" data-id=\"a573b27\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"font_8\"><strong>Chapters in books<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4ab36e3 elementor-widget elementor-widget-text-editor\" data-id=\"4ab36e3\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul><li class=\"font_8\">The Museum Curator: endangered species. \/\/ Museums 2000 \/ ed. by Patrick Boylan. London : Association Routledge, 1990. pp. 152\u2013164.<\/li><li class=\"font_8\">Museums and Curatorship: the role of theory \/\/ The Museum Profession\/ ed. by Gaynor Kavanagh. Leicester : Leicester University Press,1991. pp. 125 \u2013 137<\/li><li class=\"font_8\">The European Dream and Reality of Museums: a report from South-East. \/\/ Museums and Europe 1992 \/ ed. by Susan Pearce. London : The Athlone Press, 1992. pp. 159\u2013173.<\/li><li class=\"font_8\">Museums, museology, and ethics: a changing paradigm\/\/ Museum Ethics\/ ed. by Gary Edson. London: Routledge, 1997. pp. 168 \u2013 175.<\/li><li class=\"font_8\">The role of Museums in Sustaining Cultural Diversity \/\/ Cultural Traditions in Northern Ireland: cultural diversity in contemporary Europe.\/ ed. by maurna Crozier and Richard Froggat. Belfast: The Institute of Irish Studies, 1997. pp. 107 \u2013 113<\/li><li class=\"font_8\">Redefining collecting \/\/ Museums and the future of Collecting (Second Edition) \/ ed. by Simon J. Knell. Ashgate Publishing Limited: Aldershot. 2004. pp. 250\u2013260.<\/li><li class=\"font_8\">The importance of being wise or could &#8220;Museum archaeology&#8221; help us be better professionals \/\/ Archeologia del museo \/ Lenzi, Fiamma ; Zifferero, Andrea (ed.). Bologna : Editrice Compositori, 2004. pp. 11\u201316.<\/li><li class=\"font_8\">Ba\u0161tina kao poziv i dru\u0161tveno opredjeljenje \/\/ Ivi Maroevi\u0107u ba\u0161tinici u spomen \/ Vuji\u0107, \u017darka ; \u0160piki\u0107, Marko (ed.), Zagreb : Zavod za informacijske studije Odsjeka za informacijske znanosti Filozofskog fakulteta Sveu\u010dili\u0161ta u Zagrebu, 2009. Str. 111-138.<\/li><li class=\"font_8\">Towards the Total Museum\/ Museums in a Digital Age \/ Parry, Ross (ed.)London : Routledge, 2009. pp. 421\u2013426.<\/li><li class=\"font_8\">The Museum Definition: Questioning the Scope and Motives \/\/ What is a museum? \/ Davis, A ; Mairesse, F ; Desvallees, A. (ed.). Muenchen : Verlag Dr. C.Mueller-Straten, 2010. pp. 106\u2013112.<\/li><li class=\"font_8\">European Collection Resources &#8211; museums serving European identity \/\/ Encouraging Collections Mobility &#8211; A way forward for museums in Europe \/ Pettersson, Susanna (ur.) Helsinki, Finska : Finnish National Gallery, 2010. pp. 248\u2013257.<\/li><li class=\"font_8\">Virtues and Qualities &#8211; a contribution to professionalizing the heritage profession \/\/ The Best in Heritage \/ \u0160ola, Tomislav (ed.) Zagreb : European Heritage Association, 2011. pp. 10\u201321.<\/li><li class=\"font_8\">Uloga ba\u0161tinskih institucija u gra\u0111enju nacionalnog identiteta \/\/ Hrvatski identitet \/ Horvat, Romana (ed.). Zagreb : Matica hrvatska, 2011. Str. 255-285.<\/li><li class=\"font_8\">The heritage product as suggested by a marketing approach \/\/ Sketches and essays to mark twenty years of the International Cultural Centre \/ Purchla, Jacek (ed.). Krak\u00f3w : International Cultural Centre, 2011. pp. 460\u2013470.<\/li><li class=\"font_8\">Mnemosophy &#8211; The Art of Public Memory, Zagreb, 2016<\/li><li>\u00a0<\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7b96da2 elementor-widget elementor-widget-text-editor\" data-id=\"7b96da2\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"font_8\"><strong>Scientific papers in proceedings<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-31b770b elementor-widget elementor-widget-text-editor\" data-id=\"31b770b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul>\n<li class=\"font_8\">The future of Museums and the Role of Museology \/\/ Museum management and Curatorship. Oxford: Butterworth and Heinemann, 1992, 11, Str. 393 &#8211; 400.<\/li>\n<li class=\"font_8\">What is Museology? \/\/ Papers in Museology: Local and Global. Umea: Acta Universitatis Umensis. Department of Museology, Umea University, 1992. pp.&amp;nbsp;10 \u2013 19.<\/li>\n<li class=\"font_8\">The Role of &nbsp;Museums in Society \/\/ The Role of Museums in Society \/ izdava\u010d Israeli National Committee of ICOM, \u010dasopis Museum Education \/ ed. &nbsp;CECA-ICOM, Haifa: 1993. pp.7 \u2013 21<\/li>\n<li class=\"font_8\">How Museology Perceives Technology. \/\/ Information Technology and Heritage &#8211; The Future for Europe&#8217;s Past. \/ ed. Terry Stevens. Swansea: Commett Programme, University of Swansea, &nbsp;1996 . pp.131\u2013138<\/li>\n<li class=\"font_8\">Beyond the sharing of Knowledge: an introduction to quality in museums \/\/ Joint Annual Conference &#8220;Sharing of Knowledge. Canadian Museums Association &amp; Societe des Musees Qu\u00e9b\u00e9cois : Montreal, 1996<\/li>\n<li class=\"font_8\">The Kiss of Mnemosyne. \/\/ Museology and Memory \/ ed. Mathilde Bellaigue. ICOFOM Study Series, No. 27, Paris : ICOFOM, 1997. pp.&amp;nbsp;263\u2013268.<\/li>\n<li class=\"font_8\">Can theory help and be proactive?\/\/ Museology for Tomorrow&#8217;s World: proceedings of the international Symposium.\/ ed. by Zbynek S. Stransky. Munich: Verlag Dr. Christian Mueler Straten, 1997. pp.38 \u2013 47.<\/li>\n<li class=\"font_8\">The role of museums in sustaining cultural diversity\/\/ Cultural Traditions in Northern Ireland: cultural diversity in Contemporary Europe.\/ ed. by &nbsp;Maurna Crozier and Richard Froggat. Belfast : The Institute of Irish Studies, 1997. pp.&amp;nbsp;107 \u2013 113.<\/li>\n<li class=\"font_8\">Collecting today for tomorrow. \/\/ Collecting today for tomorrow \/ ICOFOM Study Series \/ ed. Vinos Sofka. No. 6, Stockholm, 1998 . str. 60-69<\/li>\n<li class=\"font_8\">On the nature of the museum object. Introductory reflections to the topic \/\/ Originals and Substitutes in Museums \/ &nbsp;ICOFOM Study Series \/ ed. Vinos Sofka. No. 9 Stockholm: ICOFOM, 1998. pp.79\u201386<\/li>\n<li class=\"font_8\">The Limited Reach of Museology \/\/ Museology and developing countries: help or manipulation?\/ ICOFOM Study Series\/ ed. Vinos Sofka. No. 12, Stockholm: ICOFOM, 1998. pp.80\u201389<\/li>\n<li class=\"font_8\">Museums and their future \/\/ Museology and futurology \u2013 Forecasting as museological tool \/ ICOFOM Study Series \/ ed. Vinos Sofka. No.16. Stockholm: ICOFOM, 1998. pp.68\u201380<\/li>\n<li class=\"font_8\">L&#8217;inovazione degli ecomusei e i musei di tradizione \/\/ Musei per l&#8217;ambiente \/ Cecchini, Folco ed. Argenta: Comune di Argenta et alia. 1999, pp.&amp;nbsp;20\u201323.<\/li>\n<li class=\"font_8\">Comunitat, l&#8217;element basic del museu territorial o com poden els museus servir millor la comunitat \/\/ Actes del 2. Congres Catala de Museus Locals i Comarcals \/ Alcade, Gabriel ed. Arbucies: Museu Etnologic del Montseny et alia, 1999, pp.&amp;nbsp;21\u201329.<\/li>\n<li class=\"font_8\">Ba\u0161tinske ustanove na razmedju: ili gdje je granica izmedju prvog muzeja i njegove zabavlja\u010dke ina\u010dice?\/\/Ahivi, knji\u017enice, muzeji. Mogu\u0107nosti suradnje u okru\u017eenju globalne informacijske infrastrukture \/ uredile Mirna Viler, Tinka Kati\u0107. Zagreb: Hrvatsko &nbsp;muzejsko dru\u0161tvo, 2000. Str. 24- 31.<\/li>\n<li class=\"font_8\">\u0160to stru\u010dnjaci moraju? \/\/ Arhivi, knji\u017enice, muzeji. Mogu\u0107nosti suradnje u okru\u017eenju globalne informacijske infrastrukture \/ uredile Mirna Viler, Tinka Kati\u0107. Zagreb: Hrvatsko &nbsp;muzejsko dru\u0161tvo, 2000. Str. 107-111.<\/li>\n<li class=\"font_8\">Prilog reformi nacionalnih muzeja ili pledoaje za hrvatski nacionalni muzej\/\/ uredila Vi\u0161nja Zgaga. Muzeologija br.37, Zagreb: Muzejski dokumentacijski centar, 2000. Str. 120-128.<\/li>\n<li class=\"font_8\">Poslanje muzeja ili: \u0161to \u0107e nam muzeji. \/\/ Arhivi, knji\u017enice i muzeji. Mogu\u0107nosti suradnje u okru\u017eenju globalne informacijske infrastrukture \/ uredile Mirna Viler, Tinka Kati\u0107. Zagreb: Hrvatsko &nbsp;knji\u017eni\u010darsko dru\u0161tvo, 2001. Str. 11-22.<\/li>\n<li class=\"font_8\">Can Theory Bring the Professional Prosperity ? \/\/ Museology Towards the 21st Century: Theory and Practice &#8211; International Symposium Proceedings \/ Scaltsa, Matoula (Ed.)\/ Thessaloniki, Ministry of Culture &#8211; ICOM-Hellenic National Committee, 2001. pp.&amp;nbsp;165\u2013167.<\/li>\n<li class=\"font_8\">A Contribution to Understanding of Museums: Why Would the Museums Count? \/\/ MESS, Mediterranean Ethnological Summer School, Vol. 4 \/ Bojan Baskar and Irena Weber (Eds.) \/ Ljubljana, University of Ljubljana, 2002. pp.&amp;nbsp;199\u2013209.<\/li>\n<li class=\"font_8\">Op\u0107a teorija ba\u0161tine ili prolog za heritologiju \/\/ II simpozij etnologa konzervatora Hrvatske i Slovenije &#8211; Za\u0161tita i o\u010duvanje tradicijske kulturne ba\u0161tine \/ Mlinar, Ana (ur.). Zagreb : Ministarstvo kulture Republike Hrvatske, Konzervatorski odjel, 2003. Str. 261-276<\/li>\n<li class=\"font_8\">Muzejska prodajalna \/\/ Spominki, muzej, turizem \/ Kastelic, Ivan (ur.)Bre\u017eice : Posavski muzej Bre\u017eice, 2003. Str. 33-38<\/li>\n<li class=\"font_8\">Can theory of Heritage help peace? \/\/ Museums for Peace: A Contribution to Remembrance, Reconciliation, Art and Peace \/ Gernika-Lumo : Fundacion Museo de la paz de Gernika, 2006. pp.&amp;nbsp;360\u2013365.<\/li>\n<li class=\"font_8\">Heritage and human development \/\/ International Conference publication: Heritage 2008, World Heritage and Sustainable development \/ Green Lines Institute, Porto, 2008. pp.&amp;nbsp;11\u201319.<\/li>\n<li class=\"font_8\">Museums and potentials for development of traditional crafts \/\/ International Conference Proceeding: Traditional crafts &#8211; a challenge for cultural tourism \/ Donja Stubica, 2008. pp.&amp;nbsp;28\u201333.<\/li>\n<li class=\"font_8\">El octavio arte: consideraciones sobre la comunicacion de la memoria publica. 6 Encuentro Internacional Actualidad en museografia, ICOM Espana, Bilbao, 17-20. 06. 2010. pp.&amp;nbsp;171\u2013196<\/li>\n<li class=\"font_8\">Industrijska ba\u0161tina za dru\u0161tveni razvoj \/\/ III Me\u0111unarodna konferencija o industrijskoj ba\u0161tini pod motom: Rijeka, povijestno prometno raskr\u0161\u0107e Mediterana i Europe, Pro Torpedo, Rijeka, 2010., str. 31 &#8211; 54<\/li>\n<\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1a2bcc0 elementor-widget elementor-widget-text-editor\" data-id=\"1a2bcc0\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"font_8\"><strong>Scientific contributions in magazines \/ Znanstveni radovi u \u010dasopisima<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1405ca4 elementor-widget elementor-widget-text-editor\" data-id=\"1405ca4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul><li class=\"font_8\">Prezentacija muzejskih premeta u suvremenoj muzejskoj ustanovi. \/\/ Na\u0161e teme (1980), str. 641-649.<\/li><li class=\"font_8\">Sada\u0161njost kao muzeolo\u0161ka tema za budu\u0107nost. \/\/ Informatica Museologica. god.12 br. 3\/4 (1981), 57-63<\/li><li class=\"font_8\">Disneyland kao prilog muzeolo\u0161kom iskustvu. \/\/ Informatica Museologica. God. 12, br. 3\/4 (1981) str 33-44.<\/li><li class=\"font_8\">Programiranje ili improviziranje. \/\/ Informatica Museologica. God. 13, \u00a0br. 1\/2 (1982), str. 4-8<\/li><li class=\"font_8\">Prema suvremenoj koncepciji muzeologije. \/\/ Informatologia Yugoslavica. Br.15 (1983), str. 10-16<\/li><li class=\"font_8\">Prilog mogu\u0107oj definiciji muzeologije. \/\/ Informatica Museologica. God. 15, br.1-3 (1984), str. 8-10<\/li><li class=\"font_8\">Odgojna uloga muzeja. \/\/ Argo. XXV (1986), str. 86-92<\/li><li class=\"font_8\">The concept and nature of museology. \/\/ Museum. No. 153 (1987), str. 45-49<\/li><li class=\"font_8\">From Education to Communication. \/\/ ICOM News. Vol.40, No. 3-4 (1988), str. 7-10.<\/li><li class=\"font_8\">Ususret tehnolo\u0161koj budu\u0107nosti. \/\/ Informatica Museologica. God. 19, br. 3\/4 (1988), str. 19-22<\/li><li class=\"font_8\">Ekomuzej Blaca. \/\/ Vijesti muzealaca i konzervatora Hrvatske. br. 3\/4, (1990), str. 21 \u2013 24<\/li><li class=\"font_8\">Muzejski centri: doprinos djelotvornosti muzeja. \/\/ Arheo. 13 (1991), str. 11-13.<\/li><li class=\"font_8\">The future of museums and the role of Museology. \/\/ Museum management and curatorship. Oxford: Butterworth and Heinemann, br. 11, (1992), str. 393-400<\/li><li class=\"font_8\">Od publike do korisnika (I dio) \/\/ Informatica Museologica. 28,1-4 (1997), str.18-22<\/li><li class=\"font_8\">Od publike do korisnika (II dio)\/\/ Informatica Museologica. 29,3-4 (1998), str. 86-90<\/li><li class=\"font_8\">To collect or not: that is the question! Towards the re-definition of collecting.\/\/ Museum Aktuell. Prosinac 52 (1999), str. 2046-2052.<\/li><li class=\"font_8\">Bridges: a museum for a globalizing world \/\/ Museum International. 1 (2001), str. \u00a057\u201360.<\/li><li class=\"font_8\">La teoria general de patrimoni \/\/ Aixa &#8211; Revista bianual del Museu Etnol\u00f2gic del Montseny, la Gabella, Arb\u00facies: Museu Etnol\u00f2gic del Montseny, La Gabella, 2001. str. 15-30<\/li><li class=\"font_8\">Marketing i muzejsko izdava\u0161tvo. \/\/ Informatica museologica. 33 (2002), (1-2); Str. 61-66<\/li><li class=\"font_8\">Kako sagraditi uspje\u0161an muzej, ili pledoaje za zajedni\u0161tvo. \/\/ Informatica museologica. 34 (2003), 3-4; Str. 74-80<\/li><li class=\"font_8\">What Theory, What Heritage?. \/\/ Nordisk Museologie. 2 (2005); Str. 3-16<\/li><li class=\"font_8\">\u00bfSer\u00e1 el museo Capaz de defenderse? Una mirada sobre la inspiracion el ecomuseo \/ \/Filosofia y tiplogia de los museos locales \/\/ mus-A Revista de los Museos de Andaluc\u00eda No.8 Julio 2007, pp.&amp;nbsp;30\u201339.<\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c220949 elementor-widget elementor-widget-text-editor\" data-id=\"c220949\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"font_8\"><strong>Papers in professional magazines \/ Radovi u strukovnim \u010dasopisima<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8f36563 elementor-widget elementor-widget-text-editor\" data-id=\"8f36563\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul><li class=\"font_8\">Muzej kao potreba \u010dovjeka i dru\u0161tva. \/\/ Vijesti muzealaca i konzervatora Hrvatske. \u00a0br. 4 (1979), str. 32-37.<\/li><li class=\"font_8\">Suvremena koncepcija muzeja i galerija. \/\/ Muzejski vjesnik, god.4, br. 4 (1981), str. 4-6<\/li><li class=\"font_8\">Mus\u00e9e d&#8217;Orsay. \/\/ Informatica Museologica. god 13, br. 1\/2 (1982), str 9-13<\/li><li class=\"font_8\">Razgovor s direktorom Musee d\u2019Orsay. \/\/ Informatica Museologica. god 13, br. 1-2 (1982), \u00a0 str 14-17<\/li><li class=\"font_8\">U novom mandatnom razdoblju &#8211; s prija\u0161njim te\u0161ko\u0107ama. \/\/ Informatica Museologica. \u00a0god. 13, 1\/2 (1982), str. 41<\/li><li class=\"font_8\">52. Sjednica Izvr\u0161nog savjeta ICOM-a. \/\/ Informatica Museologica, God. 13, br. 3\/4 (1982), str. 42-43<\/li><li class=\"font_8\">Louvre nauke, tehnologije i industrije \u2013 Nacionalni muzej nauke, tehnologije i industrije \u2013 La Villette. \/\/ Informatica Museologica. \u00a0God.13, 3\/4 (1982), str. 13-19<\/li><li class=\"font_8\">Accreditation. \/\/ Informatica Museologica. God.13, \u00a03\/4 (1982), str. 25<\/li><li class=\"font_8\">Razgovor s Antunom Bauerom. \/\/ Informatica Museologica. God. 14, br.1\/2 (1983), str. 7-10<\/li><li class=\"font_8\">Zajedni\u0161tvo: mogu\u0107a magi\u010dna formula ili floskula: u povodu jugoslavenskog savjetovanja koje je organizirao JNK ICOM-a i Muzejski dokumentacioni centar iz Zagreba. \/\/ Informatica Muselogica. \u00a0God. 14, br. 3\/4, (1983), str. 35-36<\/li><li class=\"font_8\">Muzejski radnici svijeta na okupu: 13. Generalna konferencija ICOM-a u Londonu. \/\/ Informatica Museologica. God. 141-2, (1983), str. 40-41<\/li><li class=\"font_8\">Razgovor s Idom Panicelli, kustosom Nacionalne galerije moderne umjetnosti u Rimu \/\/ Informatica Museologica. \u00a0God. 14, br. 3\/4 (1983), str. 22-23<\/li><li class=\"font_8\">Muzejski radnici svijeta na okupu. \/\/ Vijesti muzealaca i konzervatora Hrvatske. Br. 3 (1983), str. 9<\/li><li class=\"font_8\">In Memoriam &#8211; Zdenka Munk. \/\/ Informatica Museologica. God. 15, br. 4, (1984), str.36 -37<\/li><li class=\"font_8\">\u010clanska politika ICOM-a prema dokumentu ICOM-a 83-EX18.rev., od sije\u010dnja 1983. \/\/ Informatica Museologica. God.15, br. 1\/3 (1984), str. 54<\/li><li class=\"font_8\">Mre\u017ea muzeja: odgovor vremenu i stru\u010dnim potrebama. \/\/ Informatica Museologica. God. 16, \u00a0br. 1\/2, (1985), str. 2- 3<\/li><li class=\"font_8\">Georges Henri Riviere &#8211; In Memoriam. \/\/ Informatica Museologica. God.16, br. 3\/4 (1985), str. 32-33<\/li><li class=\"font_8\">Medjunarodni muzeolo\u0161ki seminar. \/\/ Informatica Museologica. \u00a0God. 16, br. 1\/2, (1985), str. 41-42<\/li><li class=\"font_8\">Originali i nadomjesci, muzej &#8211; riznica ili medij: u povodu simpozija ICOFOM-a u Zagrebu.\/\/ Informatica Museologica. \u00a0God. 16, br. 3\/4, (1985), str. 30-31<\/li><li class=\"font_8\">Muzejska djelatnost, &#8211; stanje i projekcije. \/\/ Godi\u0161njak zavoda za kulturu Hrvatske. (1986), str..18-23<\/li><li class=\"font_8\">Kratak pregled novih muzejskih projekata u Parizu. \/\/ \u010covjek i prostor. Br. 1 (1986), str. 15-18.<\/li><li class=\"font_8\">Izlo\u017eba kao komunikacijski medij &#8211; ili pohvala privremenoj arhitekturi. \/\/ \u010covjek i prostor. Br. 1 (1987), str. 15<\/li><li class=\"font_8\">Identidade : reflexoes sobre um problema crucial para los museus. \/\/ Cadernos Museologicos. 1 (1989), str. 25-28<\/li><li class=\"font_8\">Kanadski muzej budu\u0107nosti. \/\/ Informatica Museologica. God. 21, br. 1\/2, (1990), str. 48 -52<\/li><li class=\"font_8\">Muzejski sajam u Parizu. \/\/ Vijesti muzealaca i konzervatora Hrvatske. \u00a0br. 1\/2, (1990), str. 15-16<\/li><li class=\"font_8\">Museot nyky-yhteiskunnassa. \/\/ \u00a0Museo. 2 (1991), str. 2-5.<\/li><li class=\"font_8\">Sajam ta\u0161tine : u povodu Me\u0111unarodnog salona muzeja i izlo\u017ebi, Paris, Grand Palais. \/\/ Vijesti muzealaca i konzervatora Hrvatske. 1-4 (1991), str. 51-52.<\/li><li class=\"font_8\">Museum fist in a velvet glove. \/\/ Museum. 44, 3 (1992), str. 183-184.<\/li><li class=\"font_8\">Dinosaurios y pinturas. \/\/ Museum, 44, 4 (1992), str. 249-250.<\/li><li class=\"font_8\">Taidemuseot kasvattajina? \/\/ Museo. 4 (1993), str. 2-5.<\/li><li class=\"font_8\">Prema zreloj profesiji: u povodu izlaska knjige Dr. Ive Maroevi\u0107a \u201cUvod u mueologiju\u201d Informatica Muzeologica. god 24 br. \u00bc (1993), str 160 &#8211; 161<\/li><li class=\"font_8\">Museums between the war and peace. \/\/ De Museus. 1-2 (1993), str. 17-20.<\/li><li class=\"font_8\">Zbiram &#8211; torej sem. \/\/ Argo. 35 (1993), str. 78-80.<\/li><li class=\"font_8\">Pabirci s muzeologovog stola \/\/ Vijesti muzealaca i konzervatora Hrvatske. 1-4 (1999), str. 57-63<\/li><li class=\"font_8\">Paris \u2013 noch eine Metropole? Traurige Bermerkungen eines leidenschaftlichen Museumsbesuhers. \/\/Museum Aktuel. 59 (2000.), str. 2343-2345.<\/li><li class=\"font_8\">Is Guggenheim Bilbao really the best?. \/\/ Museum Aktuell. 60 (2000); Str. 2422-2424<\/li><li class=\"font_8\">Kenneth Hudson: guru koji je morao oti\u0107i \/\/ Vijesti muzealaca i konzervatora Hrvatske.1\/2 (2000), str 47-49.<\/li><li class=\"font_8\">Why Guggenheim Bilbao received the EMYA\/\/ Museum Aktuell. 63 (2000.), str. 2554-2556.<\/li><li class=\"font_8\">{{lang||Smisel in vsebina razstav o dedi\u0161\u010dini ali izdelek kot vpliv \/\/ Mala \u0161ola muzeologije 2003 \/ Esih, Katja ; Ro\u017eenberger \u0160ega, Tanja ; Zupanc, Adrijana (ur.). Celje : Regijsko \u0161tudijsko sredi\u0161\u010de celje, 2003. Str. 34-39.}}<\/li><li class=\"font_8\">The Best in Heritage &#8211; The 4th annual presentation of awarded projects in museum, heritage and conservation \/\/ Museum Aktuell, April 2005 (2005), str. 31-32.<\/li><li class=\"font_8\">Excellence Club &#8211; creme de la creme in heritage professions \/ Excellence Club Exponatec Cologne \/ Munich: Verlag Christian Muller-Straten, 2006.<\/li><li class=\"font_8\">Museums in Croatia &#8211; a brief review \/\/ Museum Aktuell, April 2008 (2008), pp.&amp;nbsp;10\u201313.<\/li><li class=\"font_8\">Muzej za zajednicu (nekoliko bilje\u0161ki). \/\/ Glas Gradskog muzeja Karlovac. VII (2008) ; 80-13-80-15<\/li><li class=\"font_8\">Articles in popular magazines and newspapers \/ \u010clanci u popularnim \u010dasopisima i novinama&#8221;&#8217;<\/li><li class=\"font_8\">Jugo-tragedija. \/\/ Studenstki list. 18 (1970). Str. 4.<\/li><li class=\"font_8\">Do\u0111oh, vidjeh, oti\u0111oh. \/\/ Studentski list. Br. 14-15 (1970). Str. 7.<\/li><li class=\"font_8\">Naivno razo\u010darenje: u povodu izlo\u017ebe francuskih naivaca \/\/ Studentski list. Br. 3 (1970). Str. 7.<\/li><li class=\"font_8\">\u010cudan sastav u &#8220;Biafri&#8221;: u povodu izlo\u017ebe u ateljeu &#8220;Biafra&#8221;. \/\/ Studentski list. Br. 19 (1970). Str. 10.<\/li><li class=\"font_8\">See New York the Student way. \/\/ Studentski list. Br. 19 (1970). Str. 10.<\/li><li class=\"font_8\">Minhenski krug: Die Croatische Schule. \/\/ 15 Dana. Br. 1-2 (1973), str. 10-15.<\/li><li class=\"font_8\">Matija Skurjeni. \/\/ 15 Dana. Br. 4-5 (1977), str. 6-11.<\/li><li class=\"font_8\">Prijedlog. \/\/ Oko. (1. &#8211; 15. 06.1978.).str. 12.<\/li><li class=\"font_8\">Dvije izlo\u017ebe fotografija. \/\/ Oko (5-19.9.1979). Str. 12<\/li><li class=\"font_8\">Bogatstvo gotike: stolje\u0107e Karla V. \/\/ Oko. (29.9-12.10.1979). Str. 13.<\/li><li class=\"font_8\">Pri\u010da sa zapadne strane. \/\/ Oko. (12.-26.10.1979.). str. 12.<\/li><li class=\"font_8\">Audio-vizualna sradstva. U povodu sajma audio-vizualne opreme u Parizu. \/\/ Oko. (19.05.1979) str. 12.<\/li><li class=\"font_8\">Korak dublje prema budu\u0107nosti: u povodu projekta Les Halles u Parizu. \/\/ Oko. (31.05-14.06. 1979.) str. 12-13.<\/li><li class=\"font_8\">Fotografije u Galeriji Denise Rene: Judith Turner. \/\/ Oko. \u00a0(7 -22.04.1979). Str. 14.<\/li><li class=\"font_8\">Pismo iz Pariza: Kako zatvoriti Pandorinu kutiju? \/\/ Oko. (12-27.03.1979). Str. 12<\/li><li class=\"font_8\">Ipak se kre\u0107e. \/\/ Oko. (1-15. 05. 1980.). Str. 12<\/li><li class=\"font_8\">Futurologija ili stvarnost. \/\/ Oko. (20.3.-3.4. 1980). Str. 15<\/li><li class=\"font_8\">\u017divi mrtvi muzej. \/\/ Oko. (8-22. 01. 1981.). Str 10<\/li><li class=\"font_8\">Obaveza na \u017eivot, &#8211; u povodu izlo\u017ebe &#8220;Masovna kultura&#8221; (u Gemeentesmuseum, Haag, Nizozemska), \/\/ Oko. (16. &#8211; 30. 04. 1981.). str. 11<\/li><li class=\"font_8\">Totalna slika &#8211; put do potpune komunikacije. \/\/ Oko. (30.4. &#8211; 14.5.1981). str. 12<\/li><li class=\"font_8\">\u0160ok idile ili za\u0161to je Disneyland ba\u0161 u Americi? \/\/ Oko. (15.-21.10.1981.). str. 12<\/li><li class=\"font_8\">Gra\u0111enje kulturnog presti\u017ea. \/\/ Oko. (1.-15. 04.1982.), str. 19<\/li><li class=\"font_8\">Ne znamo ili ne \u017eelimo znati? \/\/ Vjesnik. (20. 4. 1982.). str. 17<\/li><li class=\"font_8\">Muzeji kao izdava\u010di, &#8211; Interliber 82. \/\/ Vjesnik. (24.4.1982.). str. 15<\/li><li class=\"font_8\">\u010cuvari identiteta,- uz me\u0111unarodni dan muzeja. \/\/ Vjesnik. (18.5.1982.). str. 16<\/li><li class=\"font_8\">Boja\u017eljivo preko praga. \/\/ Danas. (20.5.1982.). str. 13-15<\/li><li class=\"font_8\">Muzeji su potrebe: u povodu obilje\u017eavanja Me\u0111unarodnog dana muzeja. \/\/ Oko. (9-23. lipnja 1983.). str. 12<\/li><li class=\"font_8\">\u0160etnja kroz ideje i povijest. \/\/ Oko. (8 &#8211; 22. 11.1984). Str. 15.<\/li><li class=\"font_8\">Vjen\u010danje hotelijera i muze: i kulturna ponuda je dio &#8220;opskrbe&#8221; koju treba osigurati.. \/\/ Danas. 10.1.1984.) str. 19<\/li><li class=\"font_8\">Ambijent pokretne slike. \/\/ Danas. 134 (11.9.1984). str. 21<\/li><li class=\"font_8\">Svjetski sajam muzeja. \/\/ Start. 357 (1985). Str. 21-23.<\/li><li class=\"font_8\">Originali ili nadomjesci. \/\/ Oko. (1-15.11.1985). Str. 21<\/li><li class=\"font_8\">Propis danas, propis sutra: je li vrhunski domet na\u0161e kreativnosti &#8211; zdrava neorganiziranost. \/\/ Oko. (3. &#8211; 17. 01.1985). Str. 18<\/li><li class=\"font_8\">Put u raj. \/\/ Vjesnik. (1.03.1986.). str. 13<\/li><li class=\"font_8\">Sablasna realnost holografije. \/\/ Vjesnik. (4.10.1986.). str 15<\/li><li class=\"font_8\">Rizik namje\u0161tenog smije\u0161ka &#8211; Identitet turizma ili turizam identiteta. (Oko. 21.11.-5.12.1986), str 7<\/li><li class=\"font_8\">Valjda je neznanje posrijedi. \/\/ Vjesnik. 13.11.1986.). str. 15<\/li><li class=\"font_8\">Poziv na uzbunu. \/\/ Samoupravna kultura. (1987.). str. 18<\/li><li class=\"font_8\">Zanemaren medij utjecaja. \/\/ Vjesnik. (14.11.1987.).str. 17<\/li><li class=\"font_8\">Naivna umjetnost ludbre\u0161kog kraja. \/\/Zbornik Ludbrega. Ludbreg: Op\u0107ina Ludbreg, 1987. Str. 256-267.<\/li><li class=\"font_8\">Isku\u0161enje identiteta. \/\/ Oko. (11.-25.2.1988.). str. 18<\/li><li class=\"font_8\">Ezoterijsko dru\u017eenje s predmetima. \/\/ Studentski list. 8 (9.3.1988)<\/li><li class=\"font_8\">Prvi bal. \/\/ Start. (15.3.1988)<\/li><li class=\"font_8\">Caf\u00e9 &#8220;Endy&#8221;. \/\/ Vjesnik, 21. 05.1988<\/li><li class=\"font_8\">Knez Branimir &#8211; mit ili \u010dovjek. \/\/ Vjesnik, (23. 6. 1988.). str 18<\/li><li class=\"font_8\">Muzej brodske katastrofe. \/\/ Start. 507 (25.6.1988.). str. 19<\/li><li class=\"font_8\">Pariz: projekt &#8220;Veliki Louvre&#8221;. \/\/ Vjesnik. 522 (2.7.1988.). str. str. 13<\/li><li class=\"font_8\">30 sekundi pred izlo\u0161kom. \/\/ Vjesnik, (12. 9. 1988.). Str. 9<\/li><li class=\"font_8\">Grand Louvre: Francuski korak slave. \/\/ Start. 513 (17.9.1988). str. 9-12<\/li><li class=\"font_8\">Za\u0161to su leptiri \u0161areni? \/\/ Vjesnik. (29.10.1989.). str 15<\/li><li class=\"font_8\">Poncije se vratio u Kerestinec. \/\/ Vjesnik. (1990.), str. 18<\/li><li class=\"font_8\">Hugo Wolf ponovo med Slovenci. \/\/ Dnevnik, 2. lipanj 1990. Str. 15<\/li><li class=\"font_8\">Svijet se brani muzejima. \/\/ Vjesnik. (2.6.1990.). Str. 15<\/li><li class=\"font_8\">Svjedo\u010danstva o eksodusu. \/\/ Vjesnik. (21.7.1990) str. 12<\/li><li class=\"font_8\">Ik moet mijn idealen zien te heroveren. \/\/ Van Mens Tot Mens. Den Haag, 1993. Str. 17<\/li><li class=\"font_8\">Paradoksi iza dimne zavjese: U povodu osamostaljenja Galerije primitivne umjetnosti. \/\/ Danas. (28.3.1994). str. 28<\/li><li class=\"font_8\">\u0160to \u010dekamo? \/\/ Baul. 1, svibanj 1995. Str. 25-33<\/li><li class=\"font_8\">Europski muzej godine \/\/ Kontura. 64-65 (2000), str. 64 &#8211; 70<\/li><li class=\"font_8\">Ministarstvo nade \/\/ Zarez. 3, 52 (2001), str. 5<\/li><li class=\"font_8\">Crnog Gori treba vjerodostojnost \/\/ Pobjeda, 16. lipanj 2005\/ str. 3.<\/li><li class=\"font_8\">Jadran nije jednostavna \u010dinjenica \/\/ Novi list, 6. studeni 2005 \/ str. 20-21.<\/li><li class=\"font_8\">Brand kao pokret &#8211; kriterij za hrvatski patriotizam 21. stolje\u0107a \/\/ Ve\u010dernji list 5. srpanj 2006 \/<\/li><li class=\"font_8\">\u0160to je kulturni turizam \/\/ Restorani i hoteli, srpanj\/kolovoz 2006 \/ str. 54-55.<\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4dceb49 elementor-widget elementor-widget-text-editor\" data-id=\"4dceb49\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"font_8\"><strong>Texts in art exhibition catalogues \/ Stru\u010dni tekstovi u katalozima izlo\u017ebi<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1383405 elementor-widget elementor-widget-text-editor\" data-id=\"1383405\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul><li>Ivan i Josip Generali\u0107 \/\/ Katalog zajedni\u010dke izlo\u017ebe. Zagreb : Galerija primitivne umjetnosti, 1976.<\/li><li>Ivica Propadalo\/\/ Katalog samostalne izlo\u017ebe. Haag : Galerija &#8220;M&#8221;, 1976.<\/li><li>Sava Sekuli\u0107.\/\/ Katalog samostalne izlo\u017ebe. Zagreb : Galerija primitivne umjetnosti, 1977.<\/li><li>Matija Skurjeni \/\/Besplatni letak za posjetitelje u prilici samostalne izlo\u017ebe. Zagreb : Galerija primitivne umjetnosti, 1977.<\/li><li>Ivan Lackovi\u0107 Croata: izlo\u017eba grafike.\/\/ Katalog samostalne izlo\u017ebe. Zagreb : Galerija primitivne umjetnosti, 1977.<\/li><li>Ivan Lackovi\u0107: grafi\u010dki listovi 1963-1977.\/\/ Katalog samostalne izlo\u017ebe. Zagreb : Galerija primitivne umjetnosti, 1978.<\/li><li>Franciska Petelin\u0161ek.\/\/ Katalog samostalne izlo\u017ebe. Zagreb : Galerija primitivne umjetnosti, 1978.<\/li><li>Petar Smaji\u0107.\/\/ Katalog samostalne izlo\u017ebe. Zagreb : Galerija primitivne umjetnosti,<\/li><li>Leon Marino\/\/ Katalog samostalne izlo\u017ebe. Milano : Art Gallery, 1978.<\/li><li>Zlata i Jo\u017ee Volari\u010d.\/\/ Katalog samostalne izlo\u017ebe. Zagreb : Galerija primitivne umjetnosti, 1978.<\/li><li>Ilija \u0160arac. \/\/ Katalog samostalne izlo\u017ebe. Zagreb : Galerija primitivne umjetnosti<\/li><li>Josip Generali\u0107.\/\/ Katalog samostalne izlo\u017ebe. Trst : Galeria del Arte, 1978.<\/li><li>Naivna umjetnost Bosne i Hercegovine\/\/ Katalog izlo\u017ebe. Zagreb : Galerija primitivne umjetnosti, 1978.<\/li><li>Miroslav Dela\u010d\/\/ Katalog samostalne izlo\u017ebe. Haag : Galerija &#8220;M&#8221;, 1979.<\/li><li>Kre\u0161imir Trumbeta\u0161\/\/ Katalog samostalne izlo\u017ebe. Zagreb : Galerija primitivne umjetnosti, Zagreb, 1979.<\/li><li>Ivica Propadalo\/\/ Katalog samostalne izlo\u017ebe. Banja Luka : Gradska galerija, 1979.<\/li><li>Eugen Buktenica\/\/Katalog samostalne izlo\u017ebe. Milano : Art Gallery,1980.<\/li><li>Ivan i Josip Generali\u0107\/\/ Katalog samostalne izlo\u017ebe. Essen : Galerie Hammer,1980.<\/li><li>Drago Jurak\/\/ \u00a0Katalog samostalne izlo\u017ebe. Den Haag \u00a0: Galerija &#8220;M&#8221;,1980.<\/li><li>Zdravko Gr\u017ei\u010di\u0107\/\/ Katalog samostalne izlo\u017ebe. Dru\u0161tvo arhitekata Hrvatske : Zagreb, 1981.<\/li><li>Nada Vukres\/\/Katalog samostalne izlo\u017ebe. Zagreb : Galerija dru\u0161tva naivnih umjetnika Hrvatske, 1984.<\/li><li>Galerija naivnih umjetnika u Hlebinama: u povodu 20 godina postojanja\/\/ Katalog jubilarne izlo\u017ebe. Zagreb: Galerija Hlebine, 1988.<\/li><li>Velimir Trnski\/\/ Katalog samostalne izlo\u017ebe. Zagreb : Galerija Kaptol, 1988.<\/li><li>Tomo Kralj\/\/ Katalog samostalne izlo\u017ebe. Zagreb: Galerije grada zagreba, 1988.<\/li><li>Jiri Anderle\/\/ Katalog samostalne izlo\u017ebe. Zagreb : Galerija Kaptol, 1989.<\/li><li>Mladen Ve\u017ea. Tekst u katalogu samostalne izlo\u017ebe crte\u017ea. Zagreb : Galerija Palainovka, 1996.<\/li><li>Sre\u010danje s kapelskim muzejem\/\/ Tekst o smislu i zadacima muzeja u katalogu izlo\u017ebe. Kapele : Krajevna skupnost,1998.<\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e86fc59 elementor-widget elementor-widget-text-editor\" data-id=\"e86fc59\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"font_8\"><strong>Unpublished works<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-91bb7b9 elementor-widget elementor-widget-text-editor\" data-id=\"91bb7b9\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul><li>Marco Polo po drugi put me\u0111u azijatima. Kriti\u010dki osvrt na \u010dasopis &#8220;Priroda&#8221;, 1980Maroko: Al Mamlakat al Magrebia. Putopis. 1972<\/li><li>Josip Generali\u0107. Tekst kataloga samostalne izlo\u017ebe. 1976.<\/li><li>Ivan Generali\u0107. 1977.<\/li><li>Ivan Generali\u0107: umjetni\u010dka biografija, 1977.<\/li><li>Matija Skurjeni. 1977.<\/li><li>Uloga muzejsko-galerijskih ustanova u novom reformiranom obrazovnom sistemu.\/\/ Tekst pro\u010ditan na savjetovanju \u00a0sindikata kulture, 1978.<\/li><li>Obrada jedinicea za Bio-bibliografski leksikon Hrvatske: A. Bahunek, I. i M. \u010ca\u0107e, M. Brusi\u0107-Kova\u010dica, E. Buktenica. Zagreb, 1979.<\/li><li>Muzej u nas, danas i sutra.\/\/ Pisano za strukovnu raspravu u USIZ-u kulture Grada Zagreba, 1979.<\/li><li>Muzejska kritika kao prilog reformiranom muzeju, 1979.<\/li><li>Iz pari\u0161kog likovnog \u017eivota\/\/Tekst emisije emitirane na Radio Zagreb-u, 14.2.1979.<\/li><li>Muzeji: stanje i potrebe.\/\/Tekst pisan kao podloga za raspravu u USIZ-u kulture, Zagreb, 1979.<\/li><li>Muzejska djelatnost: stanje, problemi i prijedlozi \/\/Materijal za raspravu Gradske konferencije SKH . 1980. Str. 15.<\/li><li>Suvremeni problemi muzeja. Autorizirani tekst s Okruglog stola u Galeriji Koprivnica. 1980.<\/li><li>\u0160vedska naivna umjetnost.\/\/ Tekst namijenjen za knjigu &#8220;Naivna umjetnost svijeta&#8221;. Zagreb : Spektar, Zagreb, 1980.<\/li><li>Naivna umjetnost u Ju\u017enoj Americi. \u00a0Tekst namijenjen za knjigu &#8220;Naivna umjetnost svijeta&#8221;. Zagreb : Spektar, 1980.<\/li><li>\u0160vicarska naivna umjetnost.\/\/ Tekst namijenjen za knjigu &#8220;Naivna umjetnost svijeta&#8221;. Zagreb : \u00a0Spektar, 1980.<\/li><li>Naivna umjetnost u Izraelu.\/\/ Tekst namijenjen za knjigu &#8220;Naivna umjetnost svijeta&#8221;. Zagreb : Spektar, 1980.<\/li><li>Belgijska naivna umjetnost. \/\/ Tekst namijenjen za knjigu &#8220;Naivna umjetnost svijeta&#8221;. Zagreb : Spektar, 1980.<\/li><li>Austrijska naivna umjetnost.\/\/ Tekst namijenjen za knjigu &#8220;Naivna umjetnost svijeta&#8221;. Zagreb : Spektar, 1980.<\/li><li>Kulturna akcija muzeja.\/\/ U povodu prve organizirane akcije muzejskog dokumentacijskog centra u povodu Dana muzeja, 1982.<\/li><li>Umjetnost na razme\u0111ima (o naivnoj umjetnosti). 1983.<\/li><li>Zavodljiva vizija tehnologije. 1983.<\/li><li>Izlo\u017ebena renesansa. 1983.<\/li><li>Javno djelovanje muzeja.\/\/ Tekst za savjetovanje pod istim naslovom u Novom Sadu. 1985.<\/li><li>O naivnoj umjetnosti i njenim umjetnicima.\/\/ Tekst za publikaciju Galerije naivne umetnosti Svetozarevo. 1985.<\/li><li>Muzeji \/\/Prilog XVIII ljetnoj \u0161koli andragoga u Crikvenici. 1985.<\/li><li>Ba\u0161tina kao simbol mo\u0107i.\/\/ Prilog za emisiju &#8220;Govorimo o kulturi&#8221;, Radio Zagreb. emitirano 5.12. 1985.<\/li><li>Museums today.\/\/ Tekst za publikaciju muzeja u Recklinghausenu, 1985. (stru\u010dni rad).<\/li><li>Muzejski prostor: problemi i mogu\u0107nosti. 1985.<\/li><li>Muzeji, polo\u017eaj i potrebe.\/\/Tekst referata odr\u017eanog na III Skup\u0161tini sindikata radnika u odgoju, obrazovanju i kulturi Hrvatske. Zagreb, 1986.<\/li><li>Ferdinand Kulmer\/\/ Tekst pro\u010ditan na skupu u povodu samostalne izlo\u017ebe umjetnika. Karlovac : \u00a0Zorin dom, \u00a01986.<\/li><li>Dru\u0161tvo i muzeji: problemi profesije.\/\/ Tekst pro\u010ditan na kongresu SDMRJ, u Novom Sadu pod naslovom &#8220;Dru\u0161tvo i muzeji&#8221;. Novi Sad, 1987.<\/li><li>Skulptura u naivnoj umjetnosti. 1987.<\/li><li>Museum documentation centre in Zagreb.\/\/ Tekst pro\u010ditan na seminaru ICOFOM-a, u Rikstutsalningar, Stockholm, \u0160vedska, 1987.<\/li><li>Kratka analiza djelatnosti muzeja u Hrvatskoj\/\/ Materijal naru\u010den kao podloga za raspravu o kulturi u CK SKH (Mladen \u017duvela), 1987.<\/li><li>Development of Tourism and Conservation of Cultural Resources. Madrid\/Guadalupe. moderation of the session: Tourist Development and Conservation of Cultural resources \/\/ European Meeting on Culture, Leisure and Tourism, Ministry of Culture 1994.<\/li><li>The thoughts from back home. Historiska Museet i Nordiska Museet\/\/ \u00a0trodnevni me\u0111unarodni seminar deset pozvanih eksperata sa zadatkom vrednovanja nacionalnog projekta\/izlo\u017ebe &#8220;The Quest for Swedish History&#8221;. Stockholm, 1994.<\/li><li>Beyond the sharing of Knowledge: an introduction to quality in museums \/\/ Joint Annual Conference &#8220;Sharing of Knowledge. Canadian Museums Association &amp; Societe des Musees Quebecois : Montreal, 1996.<\/li><li>Quest for quality \u2013 or the bottom line where theory and practice meet, 1998.<\/li><li>Towards the space of art (pisano po narud\u017ebi Museum \u00a0of Fine Arts in Jyvaskyla), 1999.<\/li><li>In the name of combative good or fighting for the common cause in Ljubljana, 1999.<\/li><li>Za\u0161to etnografski muzeji moraju biti bolji? Referat na savjetovanju u povodu obljetnice osnivanja. Zagreb : \u00a0Etnografski muzej, 1999.<\/li><li>Struktura idealnog plana razvoja muzeja unutar potrebne strategije kulturnog razvitka Hrvatske za prvu dekadu 21. stolje\u0107a. 2001.<\/li><li>Kako je planirano, a kako ne bi trebalo biti: primjedbe na odjeljak &#8220;Muzeji&#8221;, u dokumentu &#8220;Hrvatska u 21 stolje\u0107u &#8211; Strategija kulturnog razvitka&#8221;. 2001.<\/li><li>The general theory of heritage. Tekst za knjigu o novoj muzeologiji (ed. Josep Mauel Rueda), Arbucies, \u0160panjolska 2001.<\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b7e95cd elementor-widget elementor-widget-text-editor\" data-id=\"b7e95cd\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"font_8\"><strong> Contributions at international conferences(only major ones where the contribution has not been published)<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5934f26 elementor-widget elementor-widget-text-editor\" data-id=\"5934f26\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul><li>Kako iskoristiti ba\u0161tinu i tradiciju u stvaranju modernog brenda? \/\/ Brendiranje destinacija kao novi iskorak u turizmu\/ Kupres, BiH, 2010.<\/li><li class=\"font_8\">Heritage or the art of bridges maintenance \/\/ International Conference on Intangible Heritage\/ Pico Island, Portugal, 2009.<\/li><li class=\"font_8\">Theory on Museum Marketing and Communication \/\/ Imatge i comunicacio museus i altres experiencies \/ Tarragona, \u0160panjolska, 2009.<\/li><li class=\"font_8\">A View upon Professional Excellence \/\/ Prix des Musees\/ Bruxelles, Belgija, 2009.<\/li><li class=\"font_8\">Ba\u0161tina kao poziv i dru\u0161tveno opredjeljenje \/\/ Prvi kongres muzealaca Hrvatske \/ Zagreb, Hrvatska, 2008.<\/li><li class=\"font_8\">The End of Museum Age &#8211; Notes on a New Profession \/\/ Seminaris de l&#8217;Institut de Patrimoni Cultural \/ Girona, \u0160panjolska, 2008.<\/li><li class=\"font_8\">Zna\u010daj i upotrebljivost odnosa s javno\u0161\u0107u u ba\u0161tinskom sektoru \/\/ Odnosi s javno\u0161\u0107u u muzejima, savremeni pristupi \/ Beograd, Srbija, 2008.<\/li><li class=\"font_8\">About tangible and intangible heritage \/\/ An international seminar on Tangible and Intangible Heritage for a Real World \/ Helsinki, Finska, 2008.<\/li><li class=\"font_8\">The Art of Memory Communication \/\/ Leiden University, Faculty of Creative and Performing Arts \/ Leiden, Nizozemska, 2006.<\/li><li class=\"font_8\">Filosofia y tiplogia de los museos locales \/\/ Museos locales &#8211; naturaleza y perspectivas \/ Granada, \u0160panjolska, 2006.<\/li><li class=\"font_8\">The return, or the three faces of Europe \/\/ Cultural Heritage in the 21st Century: Opportunities and Challenges\/ Krakov, Poljska, 2006.<\/li><li class=\"font_8\">Marketing ba\u0161tine \/\/ UNESCO (ROSTE) &amp; British Council Montenegro &#8211; Role of the Media in the Protection and the Promotion of Cultural and Natural Heritage \/ Podgorica, Crna Gora, 2005.<\/li><li class=\"font_8\">What Theory? What Heritage? What Future? &#8211; or how can theory help the future happen \/\/ Museumsh\u00f8jskolen &#8211; Fremtidens museer \/ Kopenhagen, Danska, 2005<\/li><li class=\"font_8\">Can theory of Heritage help peace? \/\/ V. Congresso Internacional de Museos de la Paz \/ Gernika-Lumo, \u0160panjolska, 2005.<\/li><li class=\"font_8\">Mare nostrum &#8211; ba\u0161tinski interpretacijski centar \/\/ II. me\u0111unarodna konferencija o industrijskoj ba\u0161tini: Rijeka &#8211; grad na vodi i moru \/ Rijeka, Hrvatska, 2005.<\/li><li class=\"font_8\">Heritage Marketing &#8211; case study: museums \/\/ Dynamic and Professional Educational Centres for Effective Cultural Management \/ Dvorec Trebnik &#8211; Slovenske Konjice, Slovenija, 2005.<\/li><li class=\"font_8\">Heritologija ili op\u0107a teorija ba\u0161tine \/\/ 8. seminar ARHIVI, KNJI\u017dNICE, MUZEJI. \/ Pore\u010d, Hrvatska, 2004.<\/li><li class=\"font_8\">Using the Art Museum as a Bridge to the Future \/\/ Building the Future, Museum at\/as a crossroads \/ Tallin, Estonija, 2004<\/li><li class=\"font_8\">Dedi\u0161\u010dina in kibernetika &#8211; primer Slovenianum \/\/ Mala \u0161ola muzeologije 2004. \/ Celje i Ptuj, \u00a0Slovenija, 2004.<\/li><li class=\"font_8\">Improving the Museum Product \/\/ ICOM Three conferences &#8211; CIMUSET, ICTOP, MPR \/ Ljubljana, Slovenija, 2003.<\/li><li class=\"font_8\">Heritology as a general theory of Heritage &amp; The Cybernetic Museum \/\/ Museumsh\u00f8jskolens museologiske forel\u00e6 \/ Kopenhagen, Danska, 2003.<\/li><li class=\"font_8\">Smisel in vsebina razstav o dedi\u0161\u010dini ali izdelek kot vpliv \/\/ Mala \u0161ola muzeologije 2003 \/ Celje : Regijsko \u0161tudijsko sredi\u0161\u010de Celje, 2003.<\/li><li class=\"font_8\">Op\u0107a teorija ba\u0161tine.\/\/Simpozij Konzervatorskog zavoda Hrvatske i Slovenskog etnolo\u0161kog dru\u0161tva. Paklenica, 2001.<\/li><li class=\"font_8\">The new profession of care and communication of heritage.\/\/ Simpozij katalnoskog dru\u0161tva muzeologa, Generalna konferencija ICOM-a. Barcelona, 2001.<\/li><li class=\"font_8\">A contribution to understanding of museums: or why would museums count? \/\/Referat na 7 mediteranskoj etnolo\u0161koj ljetnoj \u0161koli (MESS), 18-25 rujna. Piran, Slovenija<\/li><li class=\"font_8\">Prilog reformi nacionalnih muzeja. Goethe Institut, Zagreb, 2001.<\/li><li class=\"font_8\">Ba\u0161tinske ustanove na razmedju \u2013 ili, gdje je granica izmedju pravog muzeja i njegove zabavlja\u010dke ina\u010dice\u201d\/\/ seminar \u201cArhivi, knji\u017enice, muzeji \u201898\u201d, organized by the National and University library, Zagreb. Pore\u010d, 1998.<\/li><li class=\"font_8\">The innovation of ecomuseums\/\/ international symposium, Musei per l\u2019ambiente, Argenta, Italija, 1998.<\/li><li class=\"font_8\">Community, the basic element of territorial museums.\/\/Gost predava\u010d, 2. Katalanskog kongresa lokalnih i regionalnih muzeja. Arbucies, 1998.<\/li><li class=\"font_8\">The role of Museums in Sustaining Diversity. Referat na medjunarodnoj konferenciji, &#8220;Cultural Diversity in Contemporary Europe&#8221;. Belfast, 1997.<\/li><li class=\"font_8\">The kiss of Mnemosyne.\/\/ Referat na simpoziju ICOFOM-a, &#8220;Museology and Memory&#8221; (Me\u0111unarodni savjet muzeja, Komitet za muzeologiju\/Unesco). Paris.<\/li><li class=\"font_8\">Can Theory Bring \u00a0the Professional Prosperity?\/\/ International Conference &#8220;Museology Towards the 21st Century&#8221;.Thessaloniki, 1997.<\/li><li class=\"font_8\">To collect or not that is the question.\/\/ Referat na medjunarodnom simpoziju &#8220;Carry on Collecting&#8221;, University of Leicester, Department of Museum Studies. Leicester, 1996.<\/li><li class=\"font_8\">The Future of Museums \/\/ \u00a0International Symposium &#8220;Museology for Tomorrow&#8217;s World&#8221;, Masaryk University. Brno, 1996.<\/li><li class=\"font_8\">How Museology Perceives Technology\/\/ na medjunarodnom seminaru Evropske zajednice (Comett Programme) &#8220;Information Technology and Heritage &#8211; The Future for Europe&#8217;s Past&#8221;. Swansea, 1995.<\/li><li class=\"font_8\">Barcelona (same programme as in Swansea \/isti program kao u Swansea), 1995.<\/li><li class=\"font_8\">Observers or Partakers &#8211; Building up a New Profession\/\/ 4.World Congress of Heritage Interpretation International (HII): sense of identity, sense of place &#8211; New Challenges for Cultural and Natural Heritage, Barcelona, 1995.<\/li><li class=\"font_8\">Tourist Development and Conservation of Cultural resources\/\/ European Meeting on Culture, Leisure and Tourism, Ministry of Culture. Madrid\/Guadalupe, 1995. (moderating one of the sessions \/ moderator sesije; text has been published \/tekst naknadno publiciran)<\/li><li class=\"font_8\">Beyond the sharing of Knowledge &#8211; an introduction to quality in museums\/\/ Joint Annual Conference &#8220;Sharing Knowledge&#8221; Canadian Museums Association &amp; Societe des Musees Qu\u00e9b\u00e9cois. Montreal, 1995.<\/li><li class=\"font_8\">Historiska Museet i Nordiska Museet\/\/ Prilog na trodnevnom me\u0111unarodnom seminaru deset pozvanih eksperata sa zadatkom vrednovanja nacionalnog projekta\/izlo\u017ebe &#8220;The Quest for Swedish History&#8221;. Stockholm, 1994.<\/li><li class=\"font_8\">Museum Communication and CECA &#8211; European Perspectives \/\/Regionalna konferencija za Evropu Medjunarodnog komiteta za obrazovanje i kulturnu akciju (CECA\/ICOM): EUROPEAN MUSEUM COMMUNICATION. Bruxelles, 1993.<\/li><li class=\"font_8\">Community museums and beyond \/\/16. Generalna konferencija ICOM-a; simpozij Medjunarodnog komiteta za regionalne muzeje (ICR\/ICOM): REGIONALISM AND MUSEUMS. Quebec,1992.<\/li><li class=\"font_8\">The Role of New Museology in Community &#8211; the Prologue to the Cybernetic Museum\/\/ Centro Europeu del Patrimonio Cultural. Me\u0111unarodni simpozij: PROGRES I CONSERVACIO &#8211; ECONOMIA DEL PATRIMONI\/ DESENVOLUPAMENT CULTURAL SOSTENGU. Barcelona,1992.<\/li><li class=\"font_8\">The role of museums in the society \/\/Godi\u0161nja konferencija i simpozij Medjunarodnog komiteta za obrazovanje i kulturnu akciju (CECA\/ICOM): THE \u00a0 \u00a0 \u00a0ROLE OF MUSEUMS IN THE SOCIET. Jerusalem, 1991.<\/li><li class=\"font_8\">Museums in the contemporary society &#8211; a six possible questions of an interested layman.\/\/ Okrugli stol, Ajuntament de Sabadel: LA CULTURA A REFLEXIO. Sabadel, 1990.<\/li><li class=\"font_8\">Science and \u00a0technology museums &#8211; the new theory and communication \u00a0technologies within the context of the European idea. \/\/ 8. kolokvij AMCSTI. Strasbourg, 1990.<\/li><li class=\"font_8\">Museums and Curatorship &#8211; the Place of Theory.\/\/International conference, University of Leicester, Katerdra za muzeologiju: BREAKING NEW GROUND. \u00a0Leicester, 1990.<\/li><li class=\"font_8\">Museums and their future \/\/15. Generalna konferencija ICOM-a. \u00a0Godi\u0161nja \u00a0konferencija i simpozij Medjunarodnog komiteta za muzeologiju (ICOFOM\/ICOM): MUSEOLOGY AND \u00a0FUTUROLOG. Haag, 1989.<\/li><li class=\"font_8\">Museum Curators &#8211; the Endangered Species \/\/Medjunarodna konferencija u povodu 100. obljetnice postojanja Museums Association: MUSEUMS 2000. London, 1989.<\/li><li class=\"font_8\">Museum Concept &#8211; Definitions and Revisions Fuglso Centret, Danska\/\/ Godi\u0161nja konferencija Danskog dru\u0161tva muzeja kulturne povijesti. Fuglso, 1989.<\/li><li class=\"font_8\">The Limited Reach of Museology \/\/ Godi\u0161nja konferencija i simpozij Medjunarodnog komiteta za muzeologiju (ICOFOM\/ICOM): MUSEOLOGY AND DEVELOPING COUNTRIES &#8211; HELP OR MANIPULATION?. Hyderabad, 1988.<\/li><li class=\"font_8\">What is Museology ?\/\/ Umea University, Sweden. Medjunarodni simpozij, Katedra za muzeologiju: What is Museology ?. Umea, 1988.<\/li><li class=\"font_8\">National Museum Documentation Centres \u2013 Corner Stones of International Network.\/\/ Riksutstalningar, Me\u0111unarodni seminar: NATIONAL MUSEUM DOCUMENTATION CENTRES &#8211; CORNER STONES OF INTERNATIONAL NETWORK. Stockholm, 1987.<\/li><li class=\"font_8\">From Education to Communication \/\/ Godi\u0161nja konferencija i simpozij Medjunarodnog komiteta za muzeologiju (ICOFOM\/ICOM). Paris, 1987.<\/li><li class=\"font_8\">Museology and Identity \/\/l4. Generalna konferencija ICOM-a, Godi\u0161nja konferencija i simpozij Medjunarodnog komiteta za muzeologiju (ICOFOM\/ICOM): MUSEOLOGY AND IDENTIT. Buenos Aires, 1986.<\/li><li class=\"font_8\">Education in Museums &#8211; Museums and Identity \/\/ Me\u0111uregionalni Unesco-v seminar: MUSEUMS AND EDUCATION. Guadalajara, 1986.<\/li><li class=\"font_8\">The Nature of Museum Object \/\/ Godi\u0161nja konferencija i simpozij Me\u0111unarodnog komiteta za muzeologiju (ICOFOM\/ICOM): ORIGINALS AND SUBSTITUTES IN MUSEUMS. Zagreb, 1985.<\/li><li class=\"font_8\">Collecting Today for Tomorrow \/\/ Godi\u0161nja konferencija i simpozij Me\u0111unarodnog komiteta za muzeologiju (ICOFOM\/ICOM): COLLECTING TODAY FOR TOMORROW. Leiden, 1984.<\/li><li class=\"font_8\">Museum, Territory, Society \/\/14. Generalna konferencija ICOM-a. Godi\u0161nja konferencija Medjunarodnog komiteta za muzeologiju (ICOM\/ICOM): MUSEUM, TERRITORY, SOCIETY. London, 1983.<\/li><li class=\"font_8\">A Contribution to a Possible Definition of Museology \/\/ Godi\u0161nja konferencija i simpozij komiteta za Muzeologiju (ICOFOM\/ICOM): SYSTEMATICS AND METHODOLOGY OF MUSEOLOGY. Paris, 1982.<\/li><li class=\"font_8\">Muzej kao potreba \u010dovjeka i dru\u0161tva \/\/ IX Kongres SDMRJ. Jajce, 1979.<\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7e3d9bb elementor-widget elementor-widget-text-editor\" data-id=\"7e3d9bb\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"font_8\"><strong> Contributions at international conferences(only major ones where the contribution has not been published)<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a7a64d2 elementor-widget elementor-widget-text-editor\" data-id=\"a7a64d2\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul><li>Centar Georges Pompidou u Parizu. Galerija Koprivnica. Koprivnica, 1980.<\/li><li class=\"font_8\">\u0160to je muzej danas? Gdje je njegovo mjesto u dru\u0161tvu? Muzej grada Zagreba, 1981.<\/li><li class=\"font_8\">The object of Museology. Reinwardt Academy. Leiden, 1984.<\/li><li class=\"font_8\">The Future of Museums and the Role of Museology. Jan Evangelista Purkyne University, International Summer School of Museology (ISSOM-Unesco). Brno, 1988.<\/li><li class=\"font_8\">Museums in the context of Cultural and Social Evolution. Jan Evangelista Purkyne University, International Summer Schoolof Museology (ISSOM, Unesco). Brno, 1989.<\/li><li class=\"font_8\">The role of museums in contemporary society. Tecla Sala, Centro Cultural. Barcelona, 1990.<\/li><li class=\"font_8\">Museology and Beyond it. Jan Evangelista Purkyne University, International Summer School of Museology (ISSOM-Unesco). Brno, 1990.<\/li><li class=\"font_8\">Musee, Communication, Public. Summer school of scientific and technical Museology \/Ljetna \u0161kola znanstvene i tehni\u010dke muzeologije, Ministarstvo znanosti i tehnologije: Les Publics et les Musees de Sciences et de Techniques; key-note lecture, Dinard, 1993.<\/li><li class=\"font_8\">Three lectires at International summer school of Museology (ISSOM, Unesco). Brno, \u00a01996.<\/li><li class=\"font_8\">Muzeji v dana\u0161njem \u010dasu (na slovenskom jeziku), Posavski muzej. Bre\u017eice, 1997.<\/li><li class=\"font_8\">Kako naredit dobar muzej? Pokrajinski muzej Maribor. Maribor, 2000.<\/li><li class=\"font_8\">Stalni postavi muzeja. Slovenski Etnografski muzej. Ljubljana, 2001.<\/li><li class=\"font_8\">Hrvatski identitet za strategiju razvoja \/\/ 8. skup turisti\u010dkih djelatnika Hrvatske \/ Zadar, Hrvatska, 2004.<\/li><li class=\"font_8\">Heritolo\u0161ki aspekti starog grada Dubovca \/\/ Za stari grad Dubovac &#8211; heritolo\u0161ki i turisti\u010dki potencijali starog grada Dubovca \/ Karlovac, Hrvatska, 2005.<\/li><li class=\"font_8\">Ba\u0161tina i kultura &#8211; nova formula poslovnog uspjeha \/\/ Histria 2005 \/ Pula, Hrvatska, 2005.<\/li><li class=\"font_8\">Kne\u017eeva Pala\u010da&#8230;ju\u010der &#8211; danas &#8211; sutra \/\/ Matica zadrana 2005 \/ Zadar, Hrvatska, 2005.<\/li><li class=\"font_8\">Va\u017enost inovacije i kvalitete proizvoda \/\/ Hrvatski turisti\u010dki forum 2006; Bol, Hrvatska 2006.<\/li><li class=\"font_8\">Arhivska groznica &#8211; okrugli stol \/\/Arhivska groznica &#8211; okrugli stol \/ Zagreb, Hrvatska, 2006.<\/li><li class=\"font_8\">Ba\u0161tinom do blagostanja \/\/ Biseri zadarske \u017eupanije \/ Zadar, Hrvatska, 2006.<\/li><li class=\"font_8\">&#8221;&#8217;Personally held seminars and individual lectures&#8221;&#8217;<\/li><li class=\"font_8\">Role of Museums in Developing Countries. Memorijalno predavanje Jawaharlal Nehru, Bharat Kala Bhavan Hindu University, Varanasi, India, 1988.<\/li><li class=\"font_8\">Sada\u0161njost i budu\u0107nost muzeja. Muzeoforum, Zveza muzejev Slovenije. Ljubljana, Slovenija, 1991.<\/li><li class=\"font_8\">Obrazovanje u muzejima. Muzeoforum, Zveza muzejev Slovenije. Ljubljana, Slovenija, 1992.<\/li><li class=\"font_8\">From Art Museums to Art Centres. Seminar za muzejske radnike, Alvar Aaltomuseo, uvodno predavanje. Jyvaskyla, Finland, 1993.<\/li><li class=\"font_8\">University of Turku, Jyvaskyla ; \u00a0University of Jyvaskyla, Helsinki, University of Helsinki. Turku, 1993. (11 hours of lacturing, five museological themes \/11 sati predavanja na 5 muzeolo\u0161kih tema);<\/li><li class=\"font_8\">Muzejska struka danas i sutra. Pokrajinski muzej, Novo Mesto, Slovenija, 1993.<\/li><li class=\"font_8\">Rethinking museums. Stockholm University, Chair of Anthropology, Stockholm, 1994.<\/li><li class=\"font_8\">University of Barcelona, cyclus of the hours of teaching, Post-graduate study of Museology, Barcelona, Spain, 1996.<\/li><li class=\"font_8\">Na putu k mudrosti \u2013 razmatranje o kraju muzejskog doba. Slovensko muzejsko dru\u0161tvo\/Zveza muzejev Slovenije &#8211; Museoforum. Ljubljana, 1998.<\/li><li class=\"font_8\">The trends in the museums today. Muzej Anatolskih Civilizacija. Ankara, 1999.<\/li><li class=\"font_8\">The End of Museum Era. Institut Catala de Recerca en Patrimoni Cultural, Girona, Spain, 2009.\u00a0<\/li><li class=\"font_8\">The Eighth Art &#8211; public memory communication. Croartscia international symposium, Zagreb, 08.05.2013.<\/li><li class=\"font_8\">Can theory professionalize Museums? Key note lecture at INTERMUSEA, Moscow, Russia, 01.06.2013.<\/li><li class=\"font_8\">The Honest Museum. EMYA\/EMF Conference, Tallin, Estonia, 2014.<\/li><li class=\"font_8\">\u00a0Museums and Innovation. Museums and Innovations, ICOM-ICME Conference, Zagreb, 2014<\/li><li class=\"font_8\">Public memory, objects, theory, mission. Physical object in Museums &#8211;\u00a0<\/li><li class=\"font_8\">Everyday Life or Past, Jurmala, 6. Nov., Latvia, 2014.<\/li><li class=\"font_8\">Museums and Social Commitment. La funcio dels museus en localitas menudes.Valencia, 2015<\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Tomislav Sladojevi\u0107 \u0160ola Tomislav Sladojevi\u0107 \u0160ola was born in Zagreb, Croatia in 1948. Until 2013 he was a Professor at the University of Zagreb in the Humanities and Social Sciences Faculty. He studied Art History and English in Zagreb, and also studied Museology in both Zagreb and Paris. \u0160ola has practical experience as a curator, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-848","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/www.bestinheritage.com\/mnemosophy\/wp-json\/wp\/v2\/pages\/848","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bestinheritage.com\/mnemosophy\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bestinheritage.com\/mnemosophy\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bestinheritage.com\/mnemosophy\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bestinheritage.com\/mnemosophy\/wp-json\/wp\/v2\/comments?post=848"}],"version-history":[{"count":148,"href":"https:\/\/www.bestinheritage.com\/mnemosophy\/wp-json\/wp\/v2\/pages\/848\/revisions"}],"predecessor-version":[{"id":1866,"href":"https:\/\/www.bestinheritage.com\/mnemosophy\/wp-json\/wp\/v2\/pages\/848\/revisions\/1866"}],"wp:attachment":[{"href":"https:\/\/www.bestinheritage.com\/mnemosophy\/wp-json\/wp\/v2\/media?parent=848"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}